TERMINOLOGY Act Acting Acting in Form Action Activity Actor Administration Alignment American Mime American Mime Areas American Mime Process American Mime Services Animate Areas Arrest Art Attitude Aware Capacity Case History Change Choice Clarity Cohesion Company Member Company Trainee Concentration Conditions Contract Creative State Cutback Dance Degree of Tension Device Direct Response Dynamics Expected	General Extending Force Form Freedom Goal Greatest Lack High Indicate Inhibition Instrument Interplay Key Listen Look Low Manner Means Medium Metrics Mime Motivate Objectification Objective Off The Procedure On Stage Orientation Out Pantomime Performance Performer Perfumed Error Persona Personal Physical Position Places Player Posited	Position(s) Present Pre-Performance Dynamics Pre-Performance State Procedural Movement Procedure Professionally Close Project Prosaic Qualified Movement Relate Residual Skills Result Scale Screen Services Signature Social Social Pattern Spirituality Study Process Tak Teachers Game Technical Alignment Technique Thank You Translate Troupe Member Vague Violation Vocabulary Vulnerability Warm-up Warning When Ready
				Movement
			Air Leg Alignment Appendages Arcs Beat Bleed Body Body Condition Body Memory Club Controls Dance Movement Degree of Tension Dynamics Elements of Movement Floor Leg Force Form Free Movement Full Tension Good Line Held	High Form High Held Isolation(s) Joins Leg-Foot Treatment Levels Lifts Line Low Form Movement Movement Skills Moves Overextension Pause Physical Extension Physical Position Physical Separation Placement Point Poor Line Positions Primary	Procedural Movement Progression Prosaic Movement Qualified Movement Relaxed Release Scale Screen Secondary Signature Silence Social Movement Speeds Stops Technical Alignment Tensions Tertiary Torso Transfers Vocabulary
				Technique
			All Right Arrest Ascents Basic Positions Cartwheel Cross Floor Curls Descents Drops Erase Evens Extend it Falls Hops Jumps Lead Leaps	Line Position Melts Odds Off Procedure Out Places Plies Points Position(s) Pushups Relays Releves Return Reverse Rolls Series Side	Slides Specific(s) Speeds Stagger Straight Lift Stretches Tak Technique Technique Line Tensions Tilts Turns Walks Warm-up Warning
				Acting
			Act Acting in Form Activity Actuality Adjustment Alignment American Mime Acting American Mime Performing Arbitrary Base Beat Belief Centers Character Character Type Character Type Character Voice Characterization Charge Check Transfers Chekov Body Color Wheel Communication Composition Conditions Contact Controls Dominate Condition Dynamic Break Dynamic Change Dynamics Elicit Emotion Memory	Empathy Expected Expression Extending Focal Point Form Form Walk Gesture Giving Handling High Form Hype If Image of Character In Character In Line Inanimates Incorporate Indicate Institute Interplay Law of Completion Lead Low Form Manipulate Mask Metamorphosis Motivate Negate Non-immediate Substitution Objective Objective Side Organic	Out Line Overall Condition Overall Objective Phrase Play at Playwright's Goal Posited Position(s) Present Project Prosaic Relate Respond Screen Secondary Conditions Sense Memory Sense of the Scene Separation Sequence Sharing Signal Social Spirit of Performing Stimulus Subjective Side Substitution Take Them Terms of Characterization Transition Vocality With-Against-Outside
				Pantomime
			Angle of Presentation Comparable Line Comparable Rhythm Counterforce Force Frame Free Weight Handle Laws of Handling	Locales Locate Locomotions Lucid Image Pantomime Pantomime Convention Pick Up Point of Contact Release	Replace Return Screen Secondary Image Temperature Terrains Texture Variable Weight
				Playwriting
			Abstract Abstraction Activity Actuality American Mime American Mime Dynamics American Mime Performing Antagonist Arbitrary Bind Cause & Effect System Character Characterization Composition Conclusion Conditions Conflict Content Convention Conviction Development Dilemma Double Form Walk Dynamic Break Dynamic Change	Dynamics Empathy Expected Exposition Final Conflict Focal Point Formalization Image Interplay Law of Completion Level of Abstraction Literal Means Metrics Mime Play Move the Audience Narrative Level Objective Organic Overall Objective Overlay Picturization Play Playwright's Goal Posited	Presentational Prosaic Protagonist Relationship Representational Scene Scene Symbol Script Sense of the Scene Sequence Set of Circumstances Sign Signal Social Spine State Stimulus Stylization Symbol Symbolic Level Synthesis Theme Third Force Unit Unites