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HURLY-BURLY

© Paul J. Curtis, 1969
SYNOPSIS
Hurly-burly is a vaudeville act with despair, Three friends, a Compulsive,
a Boor, and a Social Martyr, are so crowded on a small black stool that
they can barely move without touching each other. The action begins with
each character trying to protect his isolation and develops with increasing
momentum through lean and sometimes wild interplay to end as it began.
They struggle to protect their privacy and space in direct conflict with
their need to relate to each other. This play turns one of man's most profound
dilemmas into precise madcap, and the responses and activities of the three
characters become a symbol of universal behavior.

CHARACTERS
| BOOR |
A vulgar, physical, and obnoxious prankster. He is gross
but funny. He thinks he is smarter than the others.

Activities: He exercises by flexing his muscles and keeps checking the
results. He makes many different gestures to claim or clear the space he
feels belongs to him.

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SOCIAL
MARTYR |
A shy snobbish hypochondriac. He tries vainly to be one of
the boys. He feels intellectually superior to the others.

Activities: He holds his forehead, checks his pulse, and tries to calm
himself.

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| COMPULSIVE |
A finicky, peevish, prude, but he is charming. He feels abused
and put upon by others.

Activities: He removes lint from clothes, cleans his area of the stool,
and periodically stretches to remove cramps.

PRODUCTION REQUIREMENTS
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| Costumes |
Basic black units and footgloves.

Three identical beige velour hat forms molded into abstractions of: Porkpie
(Boor), Homberg (Compulsive), Tyrolian (Social Martyr).

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| Set Piece |
One black rectangular stool.

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| Lighting |
Area lighting (see Master Cue Sheet).

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| Running Time |
Fifteen minutes.
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UNIT 1 - OPENING

As the curtain opens, we see three men perched motionless on top of
a small black stool. The charged atmosphere and their facial expressions
suggest that a fight has just ended. They hold their positions trying not
to touch each other for twenty-five seconds. The Compulsive and Boor turn
their heads to relate angrily to each other for an instant and quickly
look away. The Compulsive and Social Martyr relate similarly and return.
The Social Martyr, losing his balance, grabs the Boor; they relate angrily
and return. The Compulsive angrily shrugs Boor's elbow from his back; Boor
shifts his position. The Compulsive picks lint from his unit, followed
by the Social Martyr holding his head and checking his pulse, followed
by the Boor flexing his muscles and checking the results. Once established,
these activities continue simultaneously. They try to protect their privacy
and relate angrily when touched. The Boor, during an arm press, inadvertently
jostles the other two; all hold and glare at each other and then return
to their activities.

UNIT 2 - SHIFT

The Compulsive stretches his leg to remove a cramp reacting fearfully
to the stage floor. Jealous of the more comfortable positions of the others,
the Compulsive attempts to stand up. Pushed down by the Boor, the Compulsive
slowly turns around on the stool and forces his way to a standing position
on the stage right side of the stool. This shifts the Boor to center and
Social Martyr to stage left of the stool. All grab each other to prevent
falling. They glare at each other and shift to new positions to get away
from each other. The Social Martyr bends over towards center, the Boor
faces stage left over Social MartyrÕs back, and the Compulsive bends back
to face off stage right. AU react negatively to their new positions. The
Boor makes himself more comfortable by leaning on the Social MartyrÕs back.
The Social Martyr attempts to stop this a few times and then straightens
up forcing all to new erect positions on the stool with the Boor's arms
stretched forward between the other two faces. Compulsive pushes Boor's
arms way from his face and into the Social MartyrÕs face. The Social Martyr
pushes them away into the Compulsive's face, etc., until the Boor is forced
to take his arms out of the center and hold them up in the air, out to
either side. They hold these positions for approximately ten seconds.


UNIT 3 - FRIENDS
All surreptitiously check each other out; no one reacts directly to
each other, but they are obviously warming up to each other. Boor belches
offending the other two, but the relating continues. Boor attempts to rest
his arms on the shoulders of the others. Both reject this overture, but
Boor continues until he succeeds. Compulsive gradually follows suit, and
finally the Social Martyr joins them until all have their arms tentatively
around each other. They finally accept this state hugging each other until
a feeling of great warmth and camaraderie is shared between them.

UNIT 4 - GAME

The Boor tricks the Social Martyr by pointing to someone out front,
and when he looks, the Boor taps him quickly in the face. The Boor laughs
broadly at his own cleverness joined by the Compulsive. All join this game
of one-upmanship mocking each other's actual appearance, e.g., hair, height,
shape of nose etc. One is always slightly hurt, and the other two broadly
amused. Compulsive picks lint off from the other two. The Social Martyr
purses the Compulsive's lips with his hand and makes fun of their plumpness;
then, he plucks at the CompulsiveÕs lower lip with his finger, laughing
at the plop and the quiver. The Compulsive flicks the Social MartyrÕs nose
with a finger. In response, the Social Martyr flicks the CompulsiveÕs nose
and continues up inadvertently knocking the Compulsive's hat off. As it
falls to the floor, all react to the seriousness of this event. The Compulsive
grabs the Social Martyr's hat and holds it behind him. The Social Martyr
attempts to get his own hat from the Compulsive then attempts to the Boor's
hat; Boor holds his hat with both hands. Having no recourse, he kneels
down to retrieve the Compulsive's hat from the floor. He returns the Compulsive's
hat and gets his own in return. The Compulsive forces him to arrange the
returned hat on the CompulsiveÕs head. The Compulsive completes this activity
by pulling his own brim dawn whereupon the Social Martyr pulls the brim
over his eyes. The Boor hits the Compulsive on the forehead, but when the
Compulsive lifts his hat, the Boor points to the Social Martyr. The Compulsive
hits the Social Martyr and is joined by the Boor. They hold. The Boor suggests
a clockwise turn-around on the stool; the other two reluctantly comply.
As they turn, all look around and at the floor as they go. This game amuses
the Boor, but is not amusing to the other two. They hold again.

UNIT 5 - FIGHT

The Boor, mildly bored, begins a game of tapping the other two; they
readily join in. As the tapping becomes more aggressive, their good humor
changes first to irritation and then to anger. The tapping reaches a climax
when the Boor is hit in the eye by the Compulsive. He reacts in pain and
anger strongly pushing the Compulsive backwards so that he has to raise
a leg to maintain his balance. The Compulsive responds by pushing the Boor
back. Then the Boor pushes both of them. All continue pushing and shoving
each other in a slow-motion battle royal wildly flailing their arms and
legs to keep from falling off the stool. Finally, they all fall to the
floor. They freeze horrified for an instant.

UNIT 6 - ENDING

Simultaneously, they jump back on the stool and fight to regain their
positions. Gradually, they return to their isolation in slight variants
of their opening positions. Furious they hold in position for five seconds.
Boor looks at Compulsive, flicks him on the head, and looks away. Hold
for audience reaction . . .

BLACKOUT
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